This is a list of actress from Marathi cinema. Marathi cinema refers to Indian movies produced in Marathi, the state language of Maharashtra , India. Based in old Mumbai, it is India's oldest and most pioneering cinema industry.
Actress may be a term used interchangeably with "actor" for a female performer in films, plays, radio and television . In this webpage, we made the list of bollywood actress. Bollywood : Hindi cinema, often referred to as Bollywood and formerly as Bombay cinema, is that the Indian Hindi-language movie industry based in Mumbai (formerly Bombay). The term may be a portmanteau of "Bombay" and "Hollywood". The industry is said to Tamil movie industry (Kollywood), Telugu movie industry (Tollywood) and other industries, making up Indian Cinema – the world's largest. Indian cinema is that the world's largest movie industry in film production, with an annual output of 1,986 feature films in 2017. Bollywood is its largest film maker , with 364 Hindi films produced in 2017. Bollywood represents 43 percent of Indian net box-office revenue; Tamil and Telugu cinema represent 36 percent, and therefore the remaining regional cinema constituted 21 percent in 2014. Bollywood is one among the most important centres of film production within the world. In 2001 ticket sales, Indian cinema (including Bollywood) reportedly sold an estimated 3.6 billion tickets worldwide, compared to Hollywood's 2.6 billion tickets sold. Bollywood films tend to use a colloquial dialect of Hindi-Urdu (or Hindustani), mutually intelligible by Hindi and Urdu speakers, and modern Bollywood films increasingly incorporate elements of Hinglish. Influence of Bollywood : Perhaps Bollywood's greatest influence has been on India's national identity, where (with the rest of Indian cinema) it has become part of the "Indian story".In India, Bollywood is usually related to India's national identity. According to economist and Bollywood biographer Meghnad Desai, "Cinema actually has been the foremost vibrant medium for telling India its own story, the story of its struggle for independence, its constant struggle to realize national integration and to emerge as a worldwide presence". Scholar Brigitte Schulze has written that Indian films, most notably Mehboob Khan's Mother India (1957), played a key role in shaping the Republic of India's national identity in the early years after independence from the British Raj; the film conveyed a sense of Indian nationalism to urban and rural citizens alike. Bollywood has long influenced Indian society and culture because the biggest entertainment industry; many of the country's musical, dancing, wedding and fashion trends are Bollywood-inspired. Bollywood fashion trendsetters have included Madhubala in Mughal-e-Azam (1960) and Madhuri Dixit in Hum Aapke Hain Koun..! (1994). Bollywood has also had a socio-political impact on Indian society, reflecting Indian politics. In classic 1970s Bollywood films, Bombay underworld crime films written by Salim-Javed and starring Amitabh Bachchan such as Zanjeer (1973) and Deewaar (1975) reflected the socio-economic and socio-political realities of contemporary India. They channeled growing popular discontent and disillusionment and state failure to ensure welfare and well-being at a time of inflation, shortages, loss of confidence in public institutions, increasing crime and the unprecedented growth of slums. Salim-Javed and Bachchan's films dealt with urban poverty, corruption and organised crime; they were perceived by audiences as anti-establishment, often with an "angry young man" protagonist presented as a vigilante or anti-hero whose suppressed rage voiced the anguish of the urban poor.