Marathi Actress list with photos

This is a list of actress from Marathi cinema. Marathi cinema refers to Indian movies produced in Marathi, the state language of Maharashtra , India. Based in old Mumbai, it is India's oldest and most pioneering cinema industry.

Mayuri Deshmukh

Mayuri Deshmukh is an Indian Marathi actress who has acted in several Marathi television serials as well as movies. Born on 3 september in dhule, Mayuri started her formal career in acting field since year 2011. Visit this page
Sayali Sanjeev

Sayali Sanjeev is an Indian tv actress. She was born on 31 January 1993 in Dhule, Maharashtra, India. Visit this page
Abhidnya Bhave

Abhidnya Bhave is an Indian actress, who acts in Marathi Serials and Cinema. She has worked in famous Marathi serial Khulta Kali Khulena on Zee Marathi and has played a negative character for the first time. She has also worked in a Web series "Moving Out" Visit this page
Mitali Mayekar

Mitali Mayekar is a popular Actor. Latest movies in which Mitali Mayekar has acted are Aamhi Befikar and Yaari Dosti. Visit this page
Akshaya Deodhar

Akshaya Deodhar is marathi actress. Visit this page
Prajakta Mali

Prajakta Mali is an Indian Marathi actress who has acted in several Marathi television serials as well as movies. Born on 8 August in Pune, Prajakta started her formal career in acting field since year 2011. Visit this page
Dhanashri Kadgaonkar

Dhanashri Kadgaonkar plays the role of Vahini in Tujhat Jeev Rangala on Zee Marathi. The serial starring Hardik Joshi and Akshaya Deodhar in lead roles is getting highly popular on the channel. Dhanashree has previously acted in other Marathi shows. She hails from Pune and has completed her masters in management before entering the cine industry through a reality show. Visit this page
Aarya Ambekar

Aarya Ambekar is a Marathi playback singer and actor from Pune, Maharashtra. She participated and reached the finals of the first season of Sa Re Ga Ma Pa Marathi Lil Champs aired on Zee Marathi channel between July 2008 and February 2009. Visit this page
Rasika Sunil Dhabadgavkar

Rasika Sunil Dhabadgavkaris a Marathi actress. She was born on 3 August 1992 in Akola. ... She also did a lead role in the Marathi serial “Mazya Nawryachi Bayko”. Rasika is also a well trained Bharatnatyam dancer. Visit this page
Rajeshwari Kharat

Rajeshwari Kharat is a young and gorgeous Marathi actress. She is originally from Pune and has now movie of theatre industry background as she is the first one to try her luck in this industry. Her family includes her parents – and her father works at a bank. She did not have a single dialogue in the film, but still her role was well received. After passing her HSC Exam, she will be pursuing her graduation in B.Com. Visit this page
Suruchi Adarkar

Suruchi Adarkar is an Indian Marathi actress who has accomplished several roles in many Marathi television serials. Born on 25 April 1988, Suruchi started her career in acting since 2007, when she acted in the commercial play Avagha Rang Ekchi Zhala, produced by Prabhakar Panshikar Visit this page
Shivani Baokar

Shivani Baokar is an expert in German language. The very famous Marathi TV actress Shivani Baokar is an expert in German language. Shivani plays the lead role of Sheetal in TV show Lagira Zhala Ji. ... She has won the hearts of the audience by portraying the role of a rural girl in the show Visit this page
Ketaki Chitale

Ketaki Chitale is a television and film actor. She was a part of television shows like Aambat Goad and Saas Bina Sasural. She will be a part of the upcoming film Bho Bho, which is set to release in April, 2016. Visit this page
Ayli Ghiya

Ayli GhiyaAyli Ghiya is a gorgeous and talented actress from M Town who is doing her debut with the film called 35 Katthavar Pass, which is directed by Satish Motling. The film is hitting the theaters on 20th May 2016. She hails from Pune wherein she was born and brought up. She did her schooling and college from Pune itself and also got her training in dancing. She did her education till 12th Standard and had to drop out as she got the chance to work in a B Town film called Hunterr released in the year 2015. Visit this page
Amruta Khanvilkar

Amruta KhanvilkarAmrut Khanvilkar Malhotra is an Indian actress. She was born in Bombay. She worked in the movies of Hindi and Marathi. She is famous for dancing and participating in Fear Factor: Khatron Ke Khiladi 10. Khanvilkar has appeared in Hindi and Marathi movies and has established herself as one of the leading actresses in Marathi cinema and an accomplished dancer. Her roles had been praised in the movies Katyar Kaljat Ghusli and Natrang. She has appeared in Raazi's Meghna Gulzar. She and her husband Himmanshoo A. Malhotra won the 7th season of the dance reality show Nach Baliye. She was a Fear Factor contestant in 2020: Khatron Ke Khiladi 10, and was eliminated opposite Adaa Khan in Week 5. Visit this page

Marathi Actress :

Actress may be a term used interchangeably with "actor" for a female performer in films, plays, radio and television . In this webpage, we made the list of bollywood actress. Bollywood : Hindi cinema, often referred to as Bollywood and formerly as Bombay cinema, is that the Indian Hindi-language movie industry based in Mumbai (formerly Bombay). The term may be a portmanteau of "Bombay" and "Hollywood". The industry is said to Tamil movie industry (Kollywood), Telugu movie industry (Tollywood) and other industries, making up Indian Cinema – the world's largest. Indian cinema is that the world's largest movie industry in film production, with an annual output of 1,986 feature films in 2017. Bollywood is its largest film maker , with 364 Hindi films produced in 2017. Bollywood represents 43 percent of Indian net box-office revenue; Tamil and Telugu cinema represent 36 percent, and therefore the remaining regional cinema constituted 21 percent in 2014. Bollywood is one among the most important centres of film production within the world. In 2001 ticket sales, Indian cinema (including Bollywood) reportedly sold an estimated 3.6 billion tickets worldwide, compared to Hollywood's 2.6 billion tickets sold. Bollywood films tend to use a colloquial dialect of Hindi-Urdu (or Hindustani), mutually intelligible by Hindi and Urdu speakers, and modern Bollywood films increasingly incorporate elements of Hinglish. Influence of Bollywood : Perhaps Bollywood's greatest influence has been on India's national identity, where (with the rest of Indian cinema) it has become part of the "Indian story".In India, Bollywood is usually related to India's national identity. According to economist and Bollywood biographer Meghnad Desai, "Cinema actually has been the foremost vibrant medium for telling India its own story, the story of its struggle for independence, its constant struggle to realize national integration and to emerge as a worldwide presence". Scholar Brigitte Schulze has written that Indian films, most notably Mehboob Khan's Mother India (1957), played a key role in shaping the Republic of India's national identity in the early years after independence from the British Raj; the film conveyed a sense of Indian nationalism to urban and rural citizens alike. Bollywood has long influenced Indian society and culture because the biggest entertainment industry; many of the country's musical, dancing, wedding and fashion trends are Bollywood-inspired. Bollywood fashion trendsetters have included Madhubala in Mughal-e-Azam (1960) and Madhuri Dixit in Hum Aapke Hain Koun..! (1994). Bollywood has also had a socio-political impact on Indian society, reflecting Indian politics. In classic 1970s Bollywood films, Bombay underworld crime films written by Salim-Javed and starring Amitabh Bachchan such as Zanjeer (1973) and Deewaar (1975) reflected the socio-economic and socio-political realities of contemporary India. They channeled growing popular discontent and disillusionment and state failure to ensure welfare and well-being at a time of inflation, shortages, loss of confidence in public institutions, increasing crime and the unprecedented growth of slums. Salim-Javed and Bachchan's films dealt with urban poverty, corruption and organised crime; they were perceived by audiences as anti-establishment, often with an "angry young man" protagonist presented as a vigilante or anti-hero whose suppressed rage voiced the anguish of the urban poor.